Becoming a Warrior of the Light & Discovering the Sacred: A Spiritual Autobiography of Sorts

Last week I had to write my Spiritual Autobiography for the Spirituality and Counseling class I’m taking this quarter. This particular assignment scared me a bit. More than a bit. In fact, just thinking about this assignment made me itch. By its very nature, the assignment implied that not only am I in possession of some sort of spirituality, but that I have been for most of my life. I’ve discovered over the past 15 years or so that the word “spiritual” conjures up positive happy feelings for a lot of people, yet there was nothing positive about my early spiritual development. In fact, I did not have a positive spiritual experience until just two years ago at the tender age of 51. Everything spiritual in my life up to that point came from either my parents pushing their religion on me or me trying to accommodate their wishes, or me fleeing from any and everything that even hinted of religion, spirit, or the supernatural. That’s what I have to work with: my own fear and dread regarding spirituality. 

IMG_1478
My Spiritual Autobiography Art Project

Sometimes, we get stuck in our stories, so I decided it was time to change the story. Below is what I ended up turning in as well as an art project I created to go with my paper.

It is time to change the narrative that has been my spiritual autobiography. It is time to rewrite my history from a power stance, from a strength perspective, from the view of a survivor rather than a victim. While my parents filled my formative years (ages 5-22) with radical fundamentalist christianity, and while those tenets and precepts haunted and dogged me for most of my life, I somehow found the courage to follow my own inner voice and at the age of 22 began shedding what held me back. I started to develop an ethos to call my own. I used to say that I spent the years between 22 and 51 avoiding all things that had even the faintest whiff of religious/spiritual energy, but in my reframe, I must say that I spent those years searching for a spirituality that worked for me. And, truth be told, I am still searching. Only in the past two years have I discovered the merest thread of a spirituality that may work, but when I look back, I can now identify the many sacred elements of my life that have been there all along. I just didn’t know that I could shift my definition of sacred to fit my needs. What I once thought to be profane is actually sacred, and much of what I learned early on to be sacred is, in fact, profane.

The bible served as my early foundation, and I learned god was angry, vengeful, wrathful, and to be feared. Scripture seemed to mock my most deeply held personal beliefs—equality, justice, fairness, and the right to love who I wanted. I grew up with a sense that no matter what I did, I would probably end up in hell anyway: if I took communion without all of my sins being forgiven, if I had premarital sex, if I even thought about someone with lust in my heart. If I took the lord’s name in vain. If I read “secular humanism.” If I listened to non-christian music. The world became a place not to be embraced but to be feared, a land fraught with temptation and danger. I couldn’t even love to be in nature because if I loved anything more than I loved god, I was committing an act of idolatry.

Somehow, I managed to hang onto myself just enough so that the summer before I started graduate school (the first time, when I was 22), I began to seek out other perspectives. I started reading those dangerous books and making friends with non-believers, and listening to the still small voice inside that urged me to stand up for what I actually believed, not what I’d been told to believe. I stood at my kitchen sink one morning, washing the dishes and decided in that moment that I could no longer be both true to myself and remain a christian. Christianity had to go. Thus began the journey in which I started collecting my own sacred experiences.

pam_baby anna
Baby Anna and Mommy Pammie

I started dating women. Sacred. I met and had a commitment ceremony with my first long-term partner. Sacred (and a little profane, but that’s another story). We adopted Anna. So sacred. I started therapy and exploring my feelings, wants, needs, and desires. Sacred. I learned I was depressed and began taking a new wonder drug that lifted my fog and allowed me to enjoy the world. We adopted Taylor. Sacred. I learned to stand up for myself and my needs. Sacred. And painful. When my ex had our daughters baptized without my permission after our divorce, I returned to church (I opted for the Unitarians) for the first time in ten years in order to provide my children with an alternative to mainstream religion. Sacred, though I didn’t end up staying long.

I bought a house and set about making it a home for my girls and me, an act that I now see as a step on my path to a personal spirituality. I met and married another woman and we lived and laughed and loved for fifteen years. When same sex marriage became legal, we got married with my children as our witnesses. Our love had finally been recognized and validated as sacred. Much of what we shared was sacred—some of it was struggle, and when it ended, we left each other intact, emotionally, having developed a stronger sense of what was sacred in the other.

Announcing Taylor's adoption
Announcing Taylor’s adoption

During those fifteen years, I did not spend much time thinking about my spirituality or my soul or the sacred. From my vantage point now, I can see that I did continue to cultivate and sharpen my own sense of sacredness, however. I spent eight of those years working with for a Catholic elementary school, and I came to understand, perhaps for the first time, that not all who are religious are judgmental and/or narrow-minded. At Sacred Heart, I learned that the individuals in a religion could hold different values than the institution itself, and that community more than religion or dogma is what compelled most people to attend that church.

Also while working for the Catholics, I realized that I needed to start taking my body more seriously, that it was in fact sacred, and necessary to a healthy long life. I started working out, and found a connection with others, sacred bonds of friendship, which, for me, represented the spiritual connections with others I craved. Eventually, after I left the Catholics, I started running and found whole new worlds of spirituality open up. More connections and new friends, time in nature, the dawning awareness that my body really is a miracle in its own right. I started my runs (especially the more challenging runs) with a meditation: “I am thankful for my feet. I am thankful for my legs. I am thankful for my lungs and my heart. I am grateful for the time to run and for the money I have to buy shoes and running clothes. I am thankful I live here where I can run on trails instead of sidewalks.” By the time I got through my meditation, I forgot that running hurts.

Before I started running, I generally felt as if I were living two lives, and I often said in therapy that I needed to pull my circles into alignment. One circle represented the me I wanted others to see, and the other circle represented what I did that I wouldn’t want others to see, probably the real me. As running became paramount in my life, I began treating my running time as sacred, inviolate. Pargament (our text book author) writes that when we discover the sacred, our sense of fragmentation dissipates and the sacred becomes a passion and a priority.

As running began taking over my life, I began to wonder if it might not be time to stop taking the Wonder Drug, if it wasn’t maybe masking my (normal) responses to a difficult world. I found the new clarity to be sacred, and I redoubled my efforts in therapy to seek enlightenment, a search which led me to body work: massage, acupuncture, breath work. And on the massage table I had what can truly be described as my first encounter with The Divine. My massage therapist always finished our sessions with a blessing, her hands on my head, channeling love and oneness (that’s what she said, I just figured it was a nice way to signal the end of my session). This time, however, she stood at the head of the table, her hands hovering over my hair, and I could feel a new and different energy fill me up, a surge and a tingling from my scalp to my toes. She stood there for a good ten to fifteen minutes while something or some being left her and entered me.

Once I dressed and asked her what had happened, she just laughed and said, “You’ll have to ask Spirit.”

I wrote a haiku (that’s another sacred thing in my life: writing) to commemorate the event:

She laid hands on me
Channeled a Divine spirit–
Broke through to my Soul

That encounter with Spirit (or whatever/whomever) on the massage table served as a breakthrough of sorts, or at least it opened me up to the possibility of a spirituality absent of religion and a sense of The Divine unattached to the particular form of god on which I was raised. I felt pure love. And though my skepticism wasn’t completely eradicated, that experience gave me permission to explore my spirituality in ways I didn’t ever think I would want to. I now attend what I call Not Church, the local Bellingham Center for Spiritual Living, on a somewhat regular basis. They offer a 9:30 a.m. service in which there is no music and no singing, no “meet and greet your neighbor,” all things from traditional church services that tend to make me anxious. We end with a 10-15 minute meditation.

I’ve dabbled in meditation and mindfulness. Both sacred experience, and in the process, I’ve sort of fallen in love with Buddhism—the sacredness in not grasping, in letting go, in silence, in pausing. I feel as if these past two years have made up for a lifetime of ignoring my spiritual life, and if I were to describe myself spiritually, I would have to say that I am becoming a Warrior of the Light, as described by Paulo Coelho:Warrior of the Light

H is for Haiku

HI figured we all needed a break from mental health for a day. So, since April is not only A-to-Z Blog a Day Challenge Month, Poetry Month, BUT also NaPoWriMo (National Poetry Writing Month), I’m trying to write a poem a day, following these prompts. I’ve done a few, not in order, however, but whenever my muse taps me on the shoulder and drops a few good lines into my lap. Enjoy!

April 1/Day One (which I just wrote today, April 12):
Write a lune, a poem with a 5-3-5 structure (either words or syllables):

I, too, run here blindly
Trusting my feet
Since cataracts cover my heart

April 3/Day 3
Write a poem that is a fan letter to a hero or celebrity. Martina Navratilova’s autobiography, published in the summer of 1985 gave me hope and courage when I felt very alone.

Dear Martina Navratilova,

Love. Love.
That’s the score, right?

Add.
Add-in. Add-out.

Out. Let.
Long.

Rush the net.
Backhand.

Overhead
Smash.

Summer.
1985.

I learned a new language.
Reading you.

Thank you.
Sincerely.

April 4/Day 4
In the spirit of TS Eliot’s The Waste Land, write a poem about the cruelest month.

March is the cruelest month.
I am drenched
In fish and scales–
Watery.
Nearly asphyxiated
Then. Pulled
From the warm
Sloshing where I could
Hear your heart swish,
my own steady with
your beat.
My surrogate,
You cut the cord
And left me to
To nourish myself,
To find breath
On my own.
With gills.

April 5/Day 5
We were supposed to write about heirloom seeds—I wrote about weeds and how what we see isn’t always what it seems. Heirloom seed-like-ish.

Monsters skulk at the garden’s edge
Ten feet tall and hairy

Momma said I shouldn’t cry—
He wasn’t really scary

Dangers lurk in the fertile ground
And nourish dormant seeds

Fallow fields lie quiet now
But soon there will be weeds

I’m currently working on a Family Portrait poem so I can cross Day 2 off my list and move on to Days 6-12. Stay tuned for another mental health break in the not to distant.

E is for (what else?) Ethics

 

EDon’t have sex with your clients. Just. Don’t.

Washington State law forbids it and even goes so far as to outlaw intimate relationships with former clients. Forever. The American Counseling Association (ACA), in section A.5 of its 2014 Code of Ethics prohibits sex with current clients as well, as do all of the other professional organizations, but they don’t put a complete ban on sexual relationships with former clients forever, instead imposing a five year moratorium on sex with former clients.

And still. Therapists have the dubious distinction of being disciplined most often for violating this particular ethical code. In fact, they (we) outpace all other helping professions in this area, leaving lawyers, doctors, and even massage therapists in the dust.mother

But say your aspirational ethics around this issue are intact. Say you are really clear that you would never, ever engage in a sexual relationship with a client or former client, or with their family members. There are still a thousand different ways to violate client trust or for a counseling relationship to go off the rails.

The ACA’s code of ethics state that the primary responsibility of the counselor is to respect the dignity and promote the welfare of the clients (Section A.1). The document goes on to say that counselors must act in such a way as to avoid harming their clients (Section A.4). It’s a lot like the Hippocratic Oath: First, do no harm.

But what causes harm, exactly?

Consider the following scenario (borrowed from my Ethics textbook): You are the only counselor in a small town. Another therapist is a two-hour drive away. When you moved here, you became good friends with the school principal, and her son and your son are best friends. She asks if you would see her son professionally. His grades are slipping. He has started acting out at home. He’s defiant and surly. She doesn’t have time to drive two hours each way to take him to a different therapist. Could you just talk to him a few times? You want to help.

What to do? What to do? What could possibly go wrong?

How about this situation: You’re seeing a client who is a writer. You, too, dabble in the written arts. The client mentions his blog during a session, and as soon as he leaves you Google his name, find his blog, and settle in to read it. Your curiosity piqued, you search for him on Facebook. Research, you tell yourself. What you find out will help you understand him better. The next time he comes in you say, “Great blog! I have one too. You should check it out. And if you have any feedback on my writing, I’d love to hear it.”

ethics cartoonWhat’s wrong here? Why not bond with a client over a shared passion? Maybe trade a few sessions for a critique of the novel you’ve been working on. After all, the writer doesn’t have a surplus of cash. It would be a win-win. Right?

No. To borrow a phrase from Cheryl Strayed’s book of quotes Brave Enough: “The short answer is No. The long answer is No.”

You are the therapist. He is the client. It is a one-way street. You must consider all the ways in which your actions could possibly harm the client. You are not friends, buddies, colleagues. You are the keeper of deep secrets, a confidant, a compassionate listener, a mirror. Just in asking, you’ve violated the trust implicit in the counseling relationship. And the client is paying you for a service. Asking for a personal favor, for feedback places an extra burden on the client, a burden he did not sign up for.

Okay. One more. How about this? You are seeing a client who struggles with self-esteem, with feeling heard and being seen. She shares with you some of the poetry she has written. You tell her it is beautiful and moving and wonderful. You email her a couple of poems from your favorite poets and hope they resonate with her the way the do with you. She sends you more of her poetry. It really is beautiful, full of amazing metaphors and gorgeous imagery. You tell her as much. She should be published, you say. She glows in your effusive praise.

What? Is there a problem?

The short answer is Yes. The long answer is Yes. Now the client is seen. Now the client is heard. But by you. Instead of helping her gather her inner resources and find her intrinsic value, you’ve taken a short cut. Basically, you have given her the needle and the spoon and pushed the plunger down, mainlining self-esteem. You are now her source, her dealer, her heroin. Congratulations, you’ve created an addict.boundary issues

There are so many other things to consider here as well. What is poetry? Who sends poems? Poetry is the language of love. People in love send poetry. Poetry is metaphor—a word can have a thousand meanings in a poem. What you read and what the client meant might be vastly different.

What would an ethical counselor do in any of these situations? And why? An ethical counselor must always consider the needs of the clients first. In some respects, a therapist has to see the future and ask herself, “How will my actions and words now impact my client down the road?” “Will I be helping or hurting my client by taking this action?” “What is my motivation?” “Am I getting my own needs met or am I meeting my client’s needs?”

Instead of praising a client’s poetry, ask them what writing poetry does for them? What do they get when they create? How do they feel when they are writing? What’s their process? Explore. Ask questions. Help the client find her own meaning in her work.

I could write for days on this topic. But the bottom line is this: There is a power differential in the therapeutic relationship. The ethical therapist uses her power for the good of the client. Never for herself.

And I’d love to hear your thoughts on the scenarios I’ve presented. What could possibly go wrong in each of these situations? Let me know what you think!

Shadows, Poems, & Projections: Just a few haiku

It’s one thing to say I’m going to start writing the truth, as I did in my previous blog. Actually doing it? That’s quite another matter, but here’s a first attempt. When I write these haiku, whom am I speaking to? Who is the “you” in my poetry? As I was reminded in one of my classes last week (rather inelegantly, but still), whenever we point our finger at someone else, we are really pointing back at our shadow selves, those parts of ourselves we are at war with. We are always projecting our fears and hopes, desires and needs onto those around us. And so it is with my poetry. Sure, these may be inspired by a particular person. There’s a muse, to be certain, but on deeper reflection, I am “you.” You are me, and to paraphrase the Beatles, we are all together. Goo goo g’joob.

I loved the way you
Swept the door open and bowed,
Welcoming me in.

We had a language–
an undercurrent, riptide.
I drowned in your words

You bequeathed to me
This gift of desperation
Exquisitely wrapped

Stop outguessing me.
Just walk your way, and I’ll run
mine. We’ll meet midway.

You do walk alone.
Were you breathless, keeping up
With my racing heart?

I’ve been your hostage
Since I read that first poem–
Enslaved by those words.

I am the blue sky
And you are the deep green sea
Breathe the air between

New Year Haiku

Sitting, staring, contemplating
Sitting, staring, contemplating, notebook in hand.

During the holidays I had the luxury of time, during which I was able to write some new haiku. I’m always amazed at how a few moments of contemplation can result in words, images, and phrases arriving and coalescing into something more, how an hour or two staring into space or at the sea creates the space in me to realize metaphors and make connections.

I want 2016 to include more of these moments, stolen away from the pressures of daily life. I want 2016 to be a year of more poetry.

This ache, unyielding,
Spreads through my bones. Malignant
Love, metastasized.

Pulled by your tides and
Seduced by your moon, I float
Free in your salt sea

Dreams of you send me
Beyond the curve of the earth
Spinning through night skies

Wash me, erode me–
Rough surf, relentless pounding.
Can’t swim in these waves

I hope you don’t mind,
Ersatz inspiration, you
Are my makeshift muse

I want to be as
relentless as the ocean
pursuing the shore

Anxious attacks me–
All soft syllables, she bites
With ferocity

We could be breathing
Side by side. Instead you chose
Only to exhale

There’s new light on the
horizon. Nighttime will slip
Away into dawn

Some days I forget–
Even deep scars fade with time.
Blood and tears both dry.

I googled your name.
A thousand not-yous filled my
Screen. Damned imposters.

We are all blind in
Our refusal to really
See one another

Choosing blindness won’t
Render you invisible.
My vision is clear

Uninsulated
This fear electrifies–my
Body, conduit

Just a Few End of Summer Haiku

Here is my entire haiku output for August and September. Not much. Not many syllables. Haven’t felt inspired. Except for these few haiku. Enjoy.

I have stopped writing
Poetry for you each night,
My reluctant muse.

What if we just breathe
together? Inhaling the
essence of ourselves

Marriage should not be
reduced to a tally, two
columns, keeping score

Today we untwist
One last thread, our gradual
great unraveling

Still unspoken, the
Honest truth sticks in my throat.
Captive to these fears.

Our story landed
Hard on my heart–opening,
Tenderizing me.

Inhale these words—breathe.
Let me carve our script inside
of you, a rough draft

Overdue Haiku

I haven’t been writing much haiku recently—but I have managed to eke out a few in the past several months. Now is as good a time as any to share them. I’m working on a longer blog piece—my intention is to finish out the alphabet that I started in April, and I’m currently working on V. It’s proving to be somewhat Vexing—but I plan to finish it before school starts again in July. In fact, I’d like to wrap up the rest of the alphabet: V, W, X, Y, and Z before I resume my studies.

In the meantime, enjoy these, please.

We can’t finish what
we started. The pieces of
our pasts too puzzling.

You gifted me this
path. A bittersweet gesture
Since it leads nowhere.

You’re my Proof of Life
photo, ignoring this, our
relentless torture

Here’s tonight’s lesson:
Buddha, Dharma, and Sangha
It’s like this. This too

You left just silence
On my altar–some off’ring
Bloodless sacrifice

Open that tightly
closed fist–you can cradle worlds
in an open palm

Paradox
Loosen your grasp. Let
me go, and in the release
find deliverance

Rise with me–spiral
Up. Let us float heavenward
Toward hope and bliss

Sink with me–spiral
Down. The depths await. Sometimes
Hope simply won’t float

This grief well runs deep
Dowse here to discover my
Tears’ artesian spring

True happiness lies
In the letting go, in the
Absence of desire

I paid your ransom
With deposits from my soul–
Some installment plan

Even in silence
the Muse inspired. In her
quiet presence, grace.

I’d steal your kisses
If I could–a thief in the
Night. Unexpected.

I have read about
the tomb of longing and find
I am trapped inside

One awakening
Or many? Dwell in the now.
Breathe deeply. Again.

I’ve electrified
The fence around my heart. I’ll
post High Voltage signs.

Drown me. Hold my head
Under your water, gasping,
Breathless. So alive.

Ignite me. Touch your
Match to this tinder, my dry
Fuel needs a flame.

Once, someone asked me to explain my poems. This is what I said:

For me, it’s all about what is churning inside of me at the moment, feelings that I can’t make sense of or get a grip on I can somehow, magically or through this alchemy of words, distill the feelings down, make them manageable. The reader brings her own feelings to the same words and the meaning changes–I love the ambiguity and the not knowing. The mystery and the freedom to interpret and wonder. I started focusing on the power in each word, the impact that just the right word could have, double entendres and deeper meanings. I’ve started bringing this consciousness to my regular writing though it’s much easier in 17 syllables than in a book length manuscript and it makes it richer, deeper when the words can have meanings on so many levels. I feel like I go on a personal journey writing these, and then when I release them to the universe I see them  differently again. Layers.

Be Brave! September Haiku Wrap Up

Every month when I review my haikus from the previous few weeks, I think “there’s no way I can post that! It’s too X.” Fill in the blank: too personal, too sad, too obscure, too depressing, too much. So, I go through them and edit and delete a few that don’t seem ready yet for the world at large. I’ve done some of that this morning with this group. But, I’ve also been listening to Sara Bareilles’ song Brave.

What would happen if we all let the words fall out honestly? This song also inspired one of my haikus which came to me as I was studying on the deck last month, enjoying the sunshine and reading about gender roles (there’s a rabbit hole that will require an entire series of blog posts).

I am embracing Brave–here are my words, as they fell out of me these past few weeks:

I gifted you with
A river of words. Language
In which we might drown.

Follow this tattered
Thread. My worn out and used up
Words. Can we mend us?

In this race against
Time, no judge, no jury. Just
The clock. Tick tock tick.

You read me like a
Favorite book, turned each page,
And savored my words.

We created some
Thing we wasted–it became
Some nothing again

Daddy’s little girl
Drops the old man’s hand and her
Heart turns into stone

Fighter jets and blue
Herons vying for sky space
Competing contrails

We each have our own
Calvary–those hilltops where
Our innocence dies

We had something and
Now we have nothing–what dark
Magic did we weave?

Sadness envelops
Me, an uncomfortable
Cocoon. A tight frame.

Hope is riding shot
Gun–we’re mapless and lost in
Uncharted terrain

Race. Class. Gender roles.
We are bound by smaller minds–
Too tiny, too tight

How big is your brave?
Could you be homo, bi, trans?
Are you strong enough?

Procrastination Poetry: July Haiku Wrap-Up

I should be writing a paper for my Gender Development class—six to eight pages “telling your story of how your gender identity has developed across your lifespan thus far.” Alas, I’m procrastinating. Funny, how the assignments I think will be easy turn out to be the most difficult. Instead of writing about my non-gender conforming ways, I thought I would share some of my July haikus instead.

I’ve not been terribly prolific—not quite back up to one a day, but I have managed to cobble together a handful of decent poems this month. A few have to do with running—since I ran my first half-marathon a week and a half ago; some to do with writing, and most to do with life in general.

Enjoy!

How hard must I wish,
To conjure your words from air?
Eyes shut. Hands open.

(I know, I already put this one in a blog, but I really like it, so it bears repeating)

We dwell here between
Words, beyond voice, in this our
Violent silence

Early morning run–
Lightning fast feet, pounding heart.
What’s ahead? Behind?

Catch and release these
Vivid fantasies. Unhook,
Swim fast, silver flash.

On the precipice
Staring into the void–what
Happens if I leap?

Some Sundays digging
In the dirt is more sacred
Than going to church

How many poems
Must I write to get to your
Chewy soft center?

These words, my breadcrumbs,
A crafty trail I’ve contrived
For you to follow

An itch I can’t scratch
That’s what you are, embedded
Deep. Unreachable.

Nights like this your words
Arrived on moonbeams, dancing–
Spinning into memoonbeam_1

Super moon rises–
Feel gravity’s pull and the
Tsunami’s release

Super moon rises
Between Mt Baker and the
Endless sky. Listen.

Seven hundred miles
Logged since January–I’m
Running for my life!

Distill it down to
Seventeen syllables: Life
And Love. Poetry.

Thirteen point one miles
First ever half marathon
One step at a time!

Facebook lives or Face
Book lies? What deeper truths lurk
Beneath these facades?

Do you ever walk
Alone or lonely, keeping
Pace with your own heart?

X is for April Haiku Review

I cannot believe that April is almost over and I’ve spent another month writing haikus (and daily blogs). Again, so many of these haikus defy explanation—I will try to give some insight into as many as I can. Some, though, just pop into my head fully formed. Others I get pieces of and have to then work out the remaining syllables. Occasionally, I will sit down with a topic in mind—generally these poems turn out to be the ones that sound the most forced, the least authentic.

So, as promised, here’s a haiku that begins with the letter X (which is the letter for today’s blog):

X—a crooked cross,
Sideways marks the spot, and, drawn,
Erases me gone

X can stand for so many things—ex, as in former. A place to stand. A place to dig. A spot. A signature. X’d out, as in erased.

My heart’s flame burns white-
hot blue tongues arise, dancing,
Seek your oxygen

Poetry sparked and
Ignited passionate fire–
Stark truth doused that flame

This one came directly out of Jake Ballard’s mouth on Scandal one night a couple of weeks ago, after Olivia tricked him into sleeping with her so she could get her hands on his phone. I just wrote it so that it lined up 5-7-5:

Tell me you felt it
Too. Tell me I’m not crazy.
Tell me you were there

The Little Woman and I were born under the same sign—we’re both Geminis, so when I read my horoscope in the morning, I’m reading hers as well:

Every day I
Read my horoscope and yours–
Astral projection

This year I seem to have a huge amount of pent up energy that I keep trying to expend through running and writing and now, school. So I wrote these:

I’ll sleep when I die–
Til I’m exhausted, weary.
Sounds good in theory

Wet sneakers pound through
puddles, toes shriveling, cold.
Insidious rain.

I woke up on Easter morning and this came to me, fully formed. It is one of my favorites:

Whatever tomb has
You trapped–Push away that stone,
Step into the light

I woke up another morning just wanting to write a haiku in Latin. I’ve never even studied Latin, but there it was, this desire I think to break out of the limits of the language I know, the desire for more meaning, maybe. I had to resort to Google, and it’s not exactly the right amount of syllables, but good enough:

Verba volant
Cor ad cor loquitur
Clavis aurea

(spoken words fly away
heart speaks to heart
golden key)

I struggle often with what to write, what parts of my story, my life belong to me and what parts of my story belong to others. I’ve written blogs that have upset people in my life—these haiku deal with finding that line, that balance between speaking my truth and revealing someone else’s:

Truths stuck on my tongue
Peeled off, now forced to drain through
The nib of my pen

I beg forgiveness
again for speaking my truth—
Is my story mine?

The scales tip toward
truth, and compassion falters–
Elusive balance

How does the writer
tell her story, pen her truth?
Dull the sharp edges?

Truth wants to vibrate
up and out in minor chords.
A sharp dissonance

Warrior woman
Draws her word sword, aware it’s
Double-edged, dang’rous

More on writing—this first one seems pretty self-explanatory. Here’s a whole series of haiku on writing into silence. Sometimes all I want from my writing is a reaction, feedback, someone on the other end to acknowledge my words. I don’t need cheers and accolades always (though occasionally that sort of feedback is awesome), but it’s difficult to write into silence, day in and day out. I don’t care for it much. My frustration seems pretty clear here:

Some days the words must
be pried piecemeal from dry earth
dusted off, washed clean

Looking for Divine
but finding only silence–
The great unlearning.

I have to escape
great silences, vast chasms
echoing within.

I can’t keep birthing
Words into silence. These are
Boisterous children

I’m pushing my words
Into silence and meeting
Resistance. Friction.

Your silence echoes
Through my canyons of desire–
Freshly gouged and deep

My words like wafers–
communion offered, received,
Ingested. Some Truth.

My sentences, like
Wine. Drink from the blood rivers.
exanguination

These paragraphs, my
soul. Transubstantiation.
Sacrifice. Rebirth.

These poems take a little liberty with the haiku form:

(Sorry–)
I just meant to tug
that one thread, not to make the
whole thing unravel

(Can we–)
Mend this ragged edge
Knitting word bones together–
Follow this thread home?

Please do not invite 
me in and then abandon
me at the threshold

What lives behind the 
sets we construct, the masks we
wear? Step off the stage.

Mudslide

Nature knows no bounds—
Follows her own path toward
wreckage, renewal

Oso Strong. Forty-
three gongs of the bell between
Amazing Grace and Taps
.

This last one also came to me one morning, after I woke up from a vivid dream and starting writing about how someone so far in my past could occupy any space in my head while I was sleeping. It didn’t seem fair. This is the haiku I ended up writing, not quite where I started, but it turned out to be a favorite:

See this hotel in
My heart? Revolving door for
Itinerant guests