Whatever it is that you want to do, just go for it. Do it. Move. Take action. Stop talking about it and take that first step. Yesterday in my Trauma, Disaster, and Crisis Counseling class, we watched a video about … Continue reading
Every writer I know has trouble writing. —Joseph Heller
Nearly every night I sit down with my laptop and open it to a blank Word document, convinced that this is the night I will begin my masterpiece, my opus, my version of the Great American Novel. And then I get distracted: laundry, dinner, cats, a funny lump behind my earlobe, the stupid TwoDots game on my phone. Words with Friends. Something. Anything to keep me from putting my thoughts down. There are a million things I will do before I finally succumb to that little voice, that growing voice, that roaring voice, the one that pushes and pulses behind my eyeballs, that makes my heart pound faster. I have to, at some point, listen to that voice, give in to that voice or I will explode. Maya Angelou is credited with saying that there is no greater agony than bearing an untold story inside. I agree.
Another trouble with writing, with being a writer, particularly if one is a writer of nonfiction, memoir, creative nonfiction, is that telling the truth, or our version of the truth, is bound to offend someone. Probably we will offend someone close to us, a family member, a good friend. And we may throw lots of other folks under the bus—there’s an entire cast of characters from which we can choose: teachers, grandparents, doctors, lawyers, therapists, the barista who forgot your regular order. The waiter who seated you near the kitchen. Really. This is an endless list.
And there are so many reasons we need to keep the peace with all of these folks. We need them to like us. And, what we often forget is that the chances of anyone actually reading what we write is slim. Oh sure, our writing group might, and a teacher, if we’re in school. But Grandma? Uncle Ed? The barista? Not likely. So, really, this is not a good excuse to suppress the urge to write.
Never mind the friends and relatives, though. When I think about writing, about what I want to write, an overwhelming sense of responsibility immobilizes me. I can’t write anything frivolous, I tell myself. What I write should be Serious. And Thoughtful. Well considered. And I should have read as much as possible on the topic. I don’t want to offend anyone. What I write should have a moral, a takeaway, but subtly. I don’t want to be too didactic. My prose should be poetic and authentic. My metaphors had better be spot on. My grammar and punctuation, impeccable. Most importantly, I don’t want to be misunderstood.
But no more. This year I resolve to write the stories. And if you happen to be a character in my life, oh well.
You’ve been warned.
I am an introvert. Being around lots of people exhausts me. And it terrifies me. I am not one for idle chit chat, not very good at the “getting to know you” niceties that appear to be second nature to most other people. I knew this about myself before I set out on this adventure, yet I was unprepared for the ferocity with which my inner introvert roared into action these past two days.
Good late morning from Twin Falls, Idaho, Dear Readers. I’m about a third of the way to my destination, Georgia O’Keefe’s Ghost Ranch in Abiquiu, NM.
Writing terrifies me–the act of putting my deepest feelings and thoughts on paper and then offering them up to the world makes me ill. At the same time, these same acts invigorate and empower me. This dichotomy resonates with so many other aspects of my life that I just have to hold my nose, squeeze my eyes shut, let go, and brace myself for impact.