I is for Intimacy in Isolation

Some days online dating feels impossible. It’s strange enough, perusing potential partners like so many shiny toys in the Sears catalog. These days, I feel estranged from even myself after 14 months in relative isolation. How can I possibly bring my full person to a relationship if I feel like I’m losing my grasp on who I am?

As humans we rely on others to mirror ourselves back to us. Those smiles from the barista, the attention from the grocery clerk, the smiles and nods from casual acquaintances that we used to get throughout the course of our days all serve to remind us that we are okay, that we are seen, valued, known, important.

We are not getting much mirroring these days. Even now, as we are out and about more, we still have masks. We can’t see smiles or subtle shifts in expression. For those who live alone (like me), we have limited reflections. Those who live with their partners or families probably feel trapped in the same recurring roles—parent, spouse, cook, caretaker, a Zoom square in a field of Zoom squares.

Granted, I have not been as isolated as some—I spent the first five months of the pandemic alone at home with only a couple of others “in my pod.” And, two of my best friends were trapped on the east coast until June, while several friends of a certain age understandably pulled far inside their shells, shutting out most of the world, and many still remain there, unsure what the vaccines mean in the long run.

Once I started dating in July, I kept it appropriately socially distanced—kayaking, getting together outdoors—for a while. But when I started seeing someone seriously, we didn’t stay isolated from one another for long. We both worked at home, alone and felt safe enough to be close. By August I had reached the limits of my tolerance for isolation. I needed hugs and touch, kisses and hand holding. Someone to embrace in the morning. That intimacy certainly made a difference. For a bit.

Don’t rely on a broken mirror for an accurate reflection

But the isolation had taken a toll, and it definitely made dating weird. I’d not dated in 20 years, and here I found myself meeting virtual strangers and relying on them for mirroring. After years of circulating comfortably amongst a wide circle of people, suddenly, I was primarily with one person who didn’t really know me or my world fully. 

No longer could I get the reliable feedback I’d come to rely on from my people—my primary mirror became someone who I’d known only a few weeks. In The Before Times, I would have had both the familiar old as well the new reflections. In The Before Times, my people would have gotten to know the woman I was dating as well and could have given me informed feedback. I may not have lost myself as I did. I may not have relied so heavily on a broken mirror.

A good friend often reminds me that we can’t know what we don’t know. Once we know better, we can do better. As I continue to forge new relationships out of the thin ether that is the internet, I must remember that I am known and loved by many, even if we’ve not seen much of each other this past year. I must remember that the reflections I get back may not be completely accurate. I must not lose myself in my quest for intimacy during isolation.

G is for Grace

I am a huge proponent of grace—granting it, receiving it, asking for it . . . holding someone new with an open palm, adopting a stance of curiosity and inquiry.

I used to have a silver bracelet that had Grace engraved on it—I bought it as a reminder when I was in IT support, to remind myself that not everyone was comfortable with technology and to arrive as a helper, not as a scold or know-it-all. I attempt to take the same approach as a counselor, subscribing to Carl Rogers’ approach of “unconditional positive regard.” Making no judgments, being accepting and supportive.

The bracelet got lost somewhere in the past five years, perhaps because I no longer need the reminder, the granting of grace coming more naturally now. It’s a testament to neuroplasticity—we truly can rewire the connections in our brains when we practice, when we work on getting those neurons to fire together.

My favorite beach to be washed up on

Grace is helpful, perhaps even necessary, when getting to know a new person, especially when online dating. We all arrive here, washed up on the shores of Zoosk and Match and Bumble and Tinder, refugees from a sunken ship, tossed and thrashed by the latest relationship storm. Some of us have been here a while—we’ve made our huts and gathered our coconuts, surveyed the landscape and spelled out SOS in the sand with whatever we could find. Others of us have just arrived, storm-tossed and disoriented, wondering what happened, still reeling, shaking the water from our ears and the sand from our eyes.

Getting to know another complex human being within the parameters of online dating seems nearly impossible at times. All of the intricate details of our lives distilled down to “likes” and “interests,” a few carefully curated photos, and 500 words. We are all putting ourselves out there, but not our whole selves, only the parts we’ve deemed good enough. Good enough to attract another. Good enough that we don’t scare anyone away, good enough that we manifest another good enough person.

So, when we “meet” i.e. send a heart, initiate a conversation, we do so carefully, continuing to put that best self forward, bolstering the good, diminishing the less than optimal parts of ourselves. We can’t do that forever though. At some point, we have to get real. We have to admit that of course we do actually watch television, sometimes for hours on end. We don’t always eat “clean” (whatever that means), and yes, we were athletes, hikers, bikers, kayakers, travelers at some point in our lives, but maybe that’s all been a bit ago.

We say we’ve been in therapy, that we’ve been over our ex, that we have done our work—and all that is so great. Sometimes we forget that we continue to be works in progress. Thus, grace.

Grace for the broken parts, grace for the half-truths, grace for the “I’m still figuring this part out,” grace for the ongoing relationship with the ex . . . grace for the extra weight we carry since hitting menopause. Grace for the getting to know you process. Grace for our journeys.

And then we can decide. How does this person show up?

Most importantly, do they afford me the same grace?

B is for Bookmaking

I remember buying Hand Bookbinding: A Manual of Instruction over 25 years ago (1988, the receipt is still in the book). I was fresh out of college and enamored of fine books—books that harkened back to earlier times, pre-mass market paperbacks, back to when the making of the book was as much an art as the writing of the book. While manual presented concepts beyond my comprehension, the precise line drawings and the very idea that I could make a book awakened a yearning in me.blue_yellow_box1

I dreamed of making books even if the tools and the concepts were complicated, beyond the realm of my experience: book presses and folding bones, book tape, book thread. I couldn’t even imagine where I would find these items. Still, I kept the book, cracking it open occasionally to remind myself that someday I’d figure it out.

blue_yellow_accordion.jpgLooking back, I believe I viewed making books as an alternative way in to writing, a side door. I wanted to be a writer, having recently graduated with a Master’s degree in creative writing, yet I didn’t quite trust (myself? Anyone?) enough to put my words on the page. Bookmaking became a surrogate, related to books and writing but not writing. I wanted to write, but writing scared me.

So, I made empty books. I created journals for others to write in, burying my own writing dreams deep while I busied myself earning a living and crafting a career that would pay better than (not) writing. I became, for a while, the technology director for a Catholic elementary school. One day, having befriended the school’s art teacher, I took one of my handmade books in to show her. She wasn’t impressed.  So what, she said. Where’s the art? All you’ve done is cover some cardboard with pretty paper.madbk11

I stared at the book in my hands and realized she was right—I wasn’t making art any more than I was writing. Where’s the color on your pages, the art teacher asked. Where’s the risk?baby_book1

That was the whole point, I told her. I didn’t want to make a mess. I liked the pristine white pages, the straight lines, the perfect edges. Paint it, she commanded. Put something of yourself into it.  So, when I made my nephew, a skateboarder, a foldout book full of pictures of him skating, I thought I had answered her challenge:

liam6There’s no mess there, she said. Be bold. Be brave. But I couldn’t, not yet. I gave him a book that was very cool in concept, but still boring and dry.

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I did better when I made the same type of book for my niece, a dancer. This time, I got messy and creative. I had to start over and paint over my messes. And things rolled from there. I became more inventive, more willing to make a mess and take risks.

A funny thing happened in the process—I started writing. I signed up for a screen writing class, and then a nine-month novel writing class, and the following fall quarter, a nine-month memoir writing class.

My bookmaking has improvedmadeline_purple_1, as has my writing—creativity breeds creativity, I think. As I take a risk in one area, it feels safer to risk in the other. I’ve been more willing though to be experimental with the book making, more staid and conservative in the book writing. Whenever I feel stuck with my writing, I can turn to the book making—and it’s no longer just books.

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Making books led me to learn how to make stamps, how to carve my own designs into a block, how to use ink and a roller to transfer the image onto whatever paper I wanted. I’ve made prayer flags for writers, books for friends and poets, for my kids, for my sweetie. I’ve made a game board for myself—Pamopoly—when I was feeling extremely stuck and creatively challenged in my writing. I’ve made art prints and pop up books whenever I am betwixt and between writing projects.pamopoly 2inrix

I’ve continued to write and to make books, though I’ve not yet combined the two. Perhaps that is next. After all, I have all of these haikus just hanging around.

 

 

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