March Haiku Wrap-Up: In Like a Lamb, Out Like a Lion

Another month of writing haiku has sped by and here we are on the cusp of Spring—ready to launch a new season. I’ve continued to write a haiku a day for the Haiku room.
Magic happens there—a (virtual) room full of essential strangers share their innermost longings, secrets, feelings. A room full of strangers responds, supports, delights together. We draw strength from one another, courage, encouragement.

Inhale images
***mystical fermentation***
Exhale poetry

I attend haiku church
Words and syllables offered, 
Received. Communion.

The haikus arrive
Droplets of oxytocin
Sacred addiction

The haikus I’ve written this month correspond to the work I’m doing with my therapist, the work I’m doing with my massage therapists (yes, you read that correctly, I have two massage therapists—each does amazing and unique work, each has succeeded in “fixing” me in ways that the traditional medical establishment could not).

She laid hands on me
Channeled a Divine spirit–
Broke through to my Soul

Opaque woman looks
Inward and finds her own light
Source, glows brighter now

My heart beats strong, true
Because of the scars woven
In, around and through

Without shadow I
am only that part of me 
I let others see

Old prisons crumbling–
Bars and chains and rank darkness
Opening to light

Some have to do with my rich (hahahaha) inner life. Some with my love and my wife.

I see you seeing
Me and in that gaze I see
You. Deep reflection.

This heart’s fragile terrain
Has no natural boundaries
Travel gently here

Woman’s voice, but girl’s
Fears: Silence, ache, and longing
After all these years

All of them are gifts—some I work on for hours, others come to me in flashes. Occasionally I will wake up in the middle of the night with an idea or a fully formed poem. Sometimes I exchange haikus with friends and the alchemic interactions produce poetry I could never have made on my own.

Silence spirals up
Rising like the heat of a
Clarifying fire

I am bigger than 
The box you’ve put me in. I
Can’t write on these walls. 

I just meant to tug
that one thread, not to make the
whole thing unravel

Twenty one days to
Break a habit—to forget
You, sweet tendency

A few have to do with the creative process—writing and self doubt, which seem to go hand in hand.

I tamp her down–yet
she rises in me, demands,
aches, pens poetry

Shadow self writes and
I wonder how she wrested
Control of the pen.

Taking a haiku
Holiday–away from psy-
Ku hai-ology

Words fall from my tongue–
Spilt, dance upon this altar
Freely sacrificed

Peel words from my tongue
Thoughts stuck in my throat, silence
Masquerades as truth

We construct our own
Prisons whether by longing,
Desire, inertia

A single pebble
Tossed carelessly can create
Ripples of longing

Fragile, frangible
My heart’s porcelain terrain
Travel gently here

A few just have to do with life in general—living in the neighborhood, running, that sort of thing.

Early morning run
I can do anything for
one hour. Anything.
 

Chainsaws, wood chippers
Shattering this afternoon 
A storm’s noisy toll

I hope you enjoy these as much as I enjoyed writing them.

On Failing Better

It’s been a tough week, wrapping up with finals, keeping up with my wifely duties (mostly being door person to the cats), and contemplating a new direction in life in the form of grad school (starting in the Clinical Mental Health Counseling program at Antioch University in April). Yesterday I attended orientation–and I’m excited to get going. That said, I’ve been wrestling with my writing too–what it means, how I do it, what will happen to it once I start school. I’m thinking there will be an intersection for me, a sweet spot between counseling and writing. Not sure yet what it will look like, but I suspect I will find it.

Mostly though I’ve been thinking about what it means to write, to be a writer. How I relate to the world via the written word.  Starting this blog a day commitment almost three weeks ago has reinforced much of what I already know–that nothing works quite so well as putting my butt in the chair–that usually even if I don’t think I have anything to say, if I just sit down and start writing, something will manifest. Not everything will be deep or terribly meaningful, but every now and then I hit on something I can work with, mold into more meaning. I’m turning out some shitty first and final drafts because oftentimes they are one and the same.

The blog isn’t a great format for me for in-depth explorations as I haven’t been devoting enough time to it. I write a piece and then spend the next few hours or days after posting thinking I should take it down, thinking “oh man, I should have said x and done more research so I could have said y” and generally wishing I was smarter or more thoughtful with more time and a deeper commitment. So many times I find blogs and articles on exactly my point that are far more articulate, funnier, and published in actual publications. And I berate myself further.

I started reading Dani Shapiro’s lovely new book Still Writing today on the plane today. I’ve been toting it around with me for several days now, waiting for the right moment to break into it. Today I needed to read what she had written. She writes about the inner censor, the one that sits on the writer’s left shoulder and says things like “that’s stupid” and “how boring” and “you’re wasting your time.”  Anyone who creates anything knows this voice intimately. We know to get any work done we have to ignore her, silence her, wrestle her to the ground and say “look bitch, I’m going to fucking write so just fucking fuck off.” She will sometimes slink away for a bit.

I’ve noticed the Censor doesn’t come around so much when I’m writing haikus. Ironically (is that the right use of this word Kari Neumeyer?), the daily haiku practice, of which I’ve written about  twice now (here and here), has actually been good for my writer’s ego. I get more bang for my syllabic buck with the haiku. For one thing, I have a venue in which I post and in that venue, a closed Facebook group, I’ve found a thriving community full of cheerful support and thoughtful feedback.

I’ve shared some of my haikus with other folks as well, people I know in real life, offline as it were (email is so luddite, it practically counts as being offline, don’t you think?). My commitment to writing a haiku a day has inspired others to do the same. Some people have shared theirs with me–a haiku exchange. I’ve found kindred spirits–it’s not everyone who understands what it means to distill an experience or a feeling or a sensation down to 17 intentional syllables. Even fewer people get excited about the process. Here it is less about ego and more about connection. There’s something holy there, sacred. A communion:

I attend haiku church
Words and syllables offered,
Received. Communion.

Words live on my tongue
Like communion, and sweet wine
Come closer, receive

(I love that I can use all of that religious imagery from my childhood to illuminate my love of writing and poetry. Finally.)

I love too that poetry is mystery–the making of it is a strange alchemy, and even when words are so intentionally selected, the meanings from person to person vary wildly. Poetry engages the imagination in a way that prose doesn’t. I know this may not be news to most of you, but I’m late to the poetry lovefest. I didn’t ever think I could enjoy poetry, let alone write it until recently someone put it in front of me and said read, this is great, expansive, mind blowing stuff. It is.

Writing is powerful, transformative medicine–for the reader and for the writer. As Dani Shapiro says

“the page is your mirror. What happens inside you is reflected back. You come face to face with your own resistance, lack of balance, self-loathing, and insatiable ego–and also with your singular vision, guts, and attitude . . . life is usually right out there, ready to knock us over when we get too sure of ourselves. Fortunately if we have learned the lessons that years of practice have taught us, when this happens, we endure. We fail better. We sit up and dust ourselves off, and begin again.”

This place, I think, in the failing, the sitting up, the beginning again, is where my career in counseling will intersect with what I know and love about writing.

Lovefest (forewarned–gratitude alert)

Today I spent a lot of time in the car–two and a half hours to Seattle this morning. Only and hour and half (maybe less), to get home this afternoon. Lots of time to think. So, I did.

Tomorrow, The Little Woman and I are leaving for Phoenix (along, apparently, with all of the college kids in the whole universe–I did not realize it was going to be spring break when I booked these tickets back in the fall). We are going to see Cher at her first stop on the Dressed to Kill tour. I have loved Cher as long as I can remember–back to when I got my first record player in 6th grade and somehow go my hands on a “Gypsies, Tramps, and Thieves” 45. Bliss.

I have wanted to see Cher forever. And now, thanks to my mindlessly flipping channels on the night when Dancing with the Stars had her on, we are going. I was minding my own business, just flip- flip- flippin, half an ear on the tv and half an eye on my Facebook feed when I heard Cher. I stopped flipping and watched–there she was,  talking about her music, and then I watched the rest of the show and ALL the couples had to dance to a Cher tune. Further bliss. i watched until the very end. And then I looked up her tour dates and bought tickets to her concert because, jesus, she’s my mother’s age and how much longer could she possibly have?

As I drove this morning, I turned off the Cher CD that has been blasting in my Jeep since before Christmas. When I bought Cher tickets, we got two (not just one, but TWO) CDs of her latest album, Dressed to Kill. I started playing one right away but since this was a surprise for TLW, I couldn’t let her know or give her her copy. (Because she’d be asking me why in god’s name I’d buy it on CD and not iTunes and why TWO copies?).

This morning though, I muted Cher and I turned on the Sirius Radio Spa Jazz channel–lovely new age-ish, flowly, soothing, happy instrumentals mostly that really do a nice job of keeping my road rage in check. Thus soothed, I pondered love. I pondered erotic love. Familial love. Kid love–I don’t think there is a more enevloping love than the love we have for our kids. Agape love–which makes room for those we don’t want to sleep with and to whom we are not related. (Agape has been co-opted by the christians, but really, it means love for our fellow man–like I said, everyone who falls outside of the realm of family and lovers). It’s a pure love (if you can believe Wikipedia).

I love my kids.  I love TLW. I love my parents. I love Cher. I love that Pat Benatar is opening for her! Life is full of love. I love school, I love the personal work I’m doing. I love the path my life is on. I love doing Haikus every morning. I love the writing I’m doing (even though most of it is for school), and the challenge of a blog every day (mostly). I love the written word and books and reading books. I love sharing what I read. Sharing my writing process.

I love that I have a writing community and people who support my work. People whose work I adore and applaud. I love the team of  folks who care for my mind and my body (it takes a village these days, truly), and my spirit (yeah, this last one, it’s new and still a little awkward for me–it will be a blog of it’s own at some point). I love that I have this adventure in grad school ahead of me and and then some.

I feel very fortunate–for all of this because, really, it’s so much. So much. A whole lot of love. Thank you. Sincerely.

Peace.

 

My Drug and My Vice

Feedback hits my veins
Smack for my ego, mainlined
I close my eyes, sigh

I wrote this haiku over the weekend, fueled as I was then by a steady stream of positive feedback for my writing and after a really great response to the Whatcom Writes reading on Sunday. But like any good addict knows, that euphoric feeling fades fast without a continual infusion.

I managed to ride the wave for most of the week, getting by on a steady stream of Facebook likes and occasional comments, but on Friday I hit bottom.  Two months ago I sent out some queries to a handful of agents and within days one agent requested I send sample chapters of my memoir. This is it, I thought. I’m golden. I worked feverishly for a week to put some high polish on a few of the better chapters and sent them off into the ether. I tried hard to stay in the moment but really, who among us writers doesn’t live at least part of the time on that fantasy book tour? On the bestseller list in our own heads? I’m a legend, if only in my own little monkey mind.

Things came crashing back to earth for me on Friday when the agent got back to me with a kind and generous email indicating that perhaps my pages aren’t quite ready for primetime. Honestly, I can’t say that I wasn’t expecting this—I know the odds. We all do, when we sit down and dare to think we have a hope of seeing our words in print. The statistics are depressing, but still, we dream.

This crash, this bursting of my ego and the view from down here at the bottom set me to thinking about how fortunate we are now, though, as writers. We have an audience if we want one. We don’t have to toil in obscurity—relative obscurity, maybe, but not completely. We have communities that welcome our imperfect work, places where we can get our hits and fixes, venues even if they are of our own making.

I started wondering, though. What was it like as a writer to wait months and months for feedback on a piece of writing? Or to not get any at all? Imagine—writing something, spending a few hours, or weeks, months, years, on a piece and then just . . . doing what with it, exactly? Sending it to an agent or publisher and then waiting for a single letter to come by post. No instant gratification. No thumbs up or down within minutes. I suppose after a week or so trips to the mailbox might become something like obsessively checking Facebook within a few minutes of posting a particularly witty comment or status update. The worn path to the mailbox might have been a little like the iPhone-shaped silhouette on my back pocket—there because I want easy access to my inbox, the ability to quickly check my blog stats. My self-esteem rises and falls with the number of hits I get.

All of which leads me to ponder just how healthy it is, this continual trickle of sporadic feedback and my incessant need to check in on it. On the one hand, when the stream dries up a bit, we can just post something new. On the other hand, why? What’s my motivation? To continue the high or to hone my craft? I’ve been reading about B.F. Skinner and the behaviorists, operant conditioning—the key to operant conditioning is the immediate reinforcement of a response. Suffice it to say, I’ve been thoroughly conditioned by variable reinforcement. I feel a bit like a used lab rat, and the unpredictable rewards are messing with my monkey mind.  One day there might be these beautiful little gifts waiting when I press that lever, other days there’s nothing. Does the nothing keep me from pressing the lever? No it does not. The nothing makes me press the lever even more—there must be some mistake! Where’s my feedback? My next hit? I need my fix!

So. I enroll in a mindfulness class. I employ hypnotherapy and guided imagery. I run. I run and run and run. They say the endorphins produce a natural high. It doesn’t really compare, but there are 30, 40, 50 minutes a day where I’m away from the lever at least. And I’m getting healthier as a side benefit. I’m not sure I want to give up the drug, the high, the next hit long term, but I’m trying to get better at living in the moment and focusing on writing just because.

Oh hell. No I’m not. If I were, I’d not be posting this damn blog.  Hit me baby. Just one more time.